TV

’The Bear’ Season 3 Review: Refire Chef! It’s Not Quite Perfect

Did you hear, Chef? ’The Bear’ is back!

TJ Zwarych
Ayo Edebiri's Sydney looking down at a table of ingredients in The Bear | Agents of Fandom

The following review of The Bear Season 3 is spoiler-free.


FX’s The Bear returns with 10 episodes for its third season; thank you, Chef! The series swept the Emmys last year and has quickly become one of the most talked about shows on television, in people’s mouths more than a hot, fresh Italian dip. However, while Season 3 is still really strong, it takes a significant step back from its predecessor.

Although the acting performances, cinematography, and score remain top-tier, the lack of plot prevents the series from achieving the same heights as it has in the past. While Season 2 keeps viewers actively invested in the restaurant’s success, The Bear Season 3 focuses more on individual character development.

Carmy (Jeremy Allen White), Richie (Ebon Moss-Bachrach) and particularly Sydney (Ayo Edebiri) expectedly steal the show; Ayo’s directorial debut “Napkins” is one of the best and most emotional episodes of the season. In a vacuum, the third season of The Bear is incredibly solid, with “Doors” and the finale, “Forever,” standing out as the most entertaining installments. Unfortunately, it’s difficult not to compare the newest addition to its past two seasons, where it falls short of expectations.

‘The Bear’ Season 3 Starts Slow After Last Season’s Big Finale

Sydney and Carmen bond over a coffee in The Bear Season 3 | Agents of Fandom
No matter how much time they spend together, Sydney and Carmy still struggle to communicate. Image Credit: FX.

It’s not until the third episode that the plot really begins to push forward. Prior to that, while the musical montages of food being cut and comedic banter are still at an all-time high, the story doesn’t progress whatsoever. While that lack of progress is a little jarring, the exploration of character trauma will still pull viewers in and keep them clamoring for more.

Although The Bear is a show that, on the surface, would benefit from a weekly release, it’s understandable after viewing why FX chose a binge model for the newest season. With the slow start and three episodes that fly higher than the rest, the weaker episodes undoubtedly would have stood out and driven the week-to-week discourse.

Despite the lack of direction at the beginning of The Bear Season 3, the series brilliantly recaps past events while providing additional perspective. It’s incredibly evident that each character in the show has their share of unresolved trauma, but flashback scenes successfully add context to why the characters behave how they do.

‘The Bear’ Continues To Be Filled With Emotional Character Exploration

Tina and her husband share an emotional moment in The Bear Season 3 | Agents of Fandom
Tina takes center stage in Episode 6, “Napkins,” directed by Ayo Edebiri. Image Credit: FX.

One of the biggest strengths of the season is Ayo Edibiri’s directorial debut in the sixth episode, “Napkins.” Tina’s (Liza Colón-Zayas) life before discovering The Beef is explored, and Colón-Zayas gives a truly phenomenal performance; it’s gut-wrenching, frustrating, and inspirational all at once. She deserves an Emmy nomination of some kind for it.

Even when someone is at their darkest point, the light can be just around the corner. This is undoubtedly the strongest character-driven episode of the season, while both “Doors” and “Forever” focus more on moving the limited plot forward. Colón-Zayas’ performance here and Edibiri’s direction will likely dominate the awards conversation moving forward.

‘The Bear’ Fails To Live up to Season 2 Due to a Lack of an Over-Arching Story

The Fak brothers show Carmy the work they've done in his office | Agents of Fandom
The Faks remain among the best comedic relief options in The Bear. Image Credit: FX.

One of the biggest surprises of The Bear Season 3 is the heavy involvement of the Fak family. Both Neil (Matty Matheson) and his brother Ted (Ricky Staffieri) are very prevalent throughout. While they provide some of the best comedic relief of the series, they were almost too involved this season. They’re funny, but there was too much time spent with them just goofing around in a season where the plot is leaving much to be desired.

Each character in the show got a relatively significant amount of time detailing their own personal stories, but it was rare that the individual plots matched up with each other. However, whenever they did, it felt incredibly satisfying and well-written. Chef, this tastes great, but it has too many components. Simplify it and try again.

Thankfully, cooking and television are similar in that the creator can take what works, subtract what doesn’t, and make something even better in the future.

Gripping Cinematography and Performances Make ‘The Bear’ Season 3 Worth the Watch

Carmy and Sydney argue over menu changes in The Bear Season 3 | Agents of Fandom
While chemistry is lacking in the kitchen, it’s still incredible on-screen. Image Credit: FX.

Although The Bear Season 3 is still a solid installment to the series, it felt somewhat incomplete. Any semblance of a continued plot is nearly non-existent throughout the first two-thirds of the season and doesn’t ramp up until too late. Unfortunately, the 10th episode feels more like a mid-season finale setting up the future, as opposed to a closing of the story.

However, the shiver-inducing needle drops (Challengers‘ Trent Reznor and Trevor Atticus make multiple appearances), uniquely crafted cinematography, and emotional performances from the entire cast still make The Bear must-see television. The deep character exploration works as significant development for a fourth season, even though the extensive time spent with the individual characters moderately takes away from the overall plot. The Bear Season 3 is the weakest of the series to date, but it’s still a great viewing experience and one of the better shows on television.

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TJ Zwarych

Written by

TJ Zwarych

Thanks for checking out the Agents of Fandom! I co-founded AOF alongside two of my best friends, Garrett Blaney and Ruben Ripalda. I belong to many fandoms including Marvel, DC, Star Wars and so much more. I grew up reading comics and watching as many cartoons as I could l with Spider-Man: The Animated Series, Pokemon, Digimon, Yu-Gi-Oh and more being among my favorites. These days, I host the Agents of Fandom podcast and am one of the top Fantasy Sports players in the world. In addition to my work at AOF, I also provide content for RotoGrinders.com to help people with sports betting and daily fantasy sports. I have degrees in Education as well as Psychology and taught middle years students for 5 years. I eventually left teaching to pursue my passions and aim to make the Agents of Fandom a community in which people can enjoy their favorite content with friends from around the world.

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